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Images by Alan Bean of Goddard Space Flight Center (GSFC) from 1969
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Apollo 12: Self-Portrait
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Apollo 12: Self-Portrait |
| Explanation |
Is it art? In November of 1969, Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap990408.html ] astronaut-photographer Charles "Pete" Conrad [ http://antwrp.gsfc.nasa.gov/apod/ap990715.html ] recorded this masterpiece [ http://images.jsc.nasa.gov/images/pao/AS12/10075421.htm ] while documenting colleague Alan Bean's lunar soil collection activities on the Oceanus Procellarum [ http://volcano.und.nodak.edu/vwdocs/planet_volcano/ lunar/mare/mlm.html ]. The image is dramatic and stark [ http://antwrp.gsfc.nasa.gov/apod/ap960420.html ]. Bean is faceless. The harsh environment of the Moon's Ocean of Storms is echoed in his helmet's perfectly composed reflection of Conrad and the lunar horizon [ http://www.hq.nasa.gov/office/pao/History/alsj/ ]. Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's [ http://www.geh.org/fm/lwhprints/htmlsrc2/ index.html ] images from New York City in the early 20th century, or Margaret Bourke-White's [ http://lkwdpl.org/wihohio/bour-mar.htm ] magazine photography are widely regarded as art. Similarly many documentary astronomy and space images [ http://www.nasa.gov/cool.html ] can be appreciated for their artistic and esthetic appeal. |
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Apollo 12: Self-Portrait
| Title |
Apollo 12: Self-Portrait |
| Explanation |
Is it art? In November of 1969, Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap990408.html ] astronaut-photographer Charles "Pete" Conrad [ http://antwrp.gsfc.nasa.gov/apod/ap990715.html ] recorded this masterpiece [ http://images.jsc.nasa.gov/images/pao/AS12/10075421.htm ] while documenting colleague Alan Bean's [ http://www.alanbeangallery.com/ ] lunar soil collection activities on the Oceanus Procellarum [ http://volcano.und.nodak.edu/vwdocs/planet_volcano/ lunar/mare/mlm.html ]. The image is dramatic and stark [ http://antwrp.gsfc.nasa.gov/apod/ap960420.html ]. Bean is faceless. The harsh environment of the Moon's Ocean of Storms is echoed in his helmet's perfectly composed reflection of Conrad and the lunar horizon [ http://www.hq.nasa.gov/office/pao/History/alsj/ ]. Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's [ http://www.geh.org/fm/lwhprints/htmlsrc2/ index.html ] images from New York City in the early 20th century, or Margaret Bourke-White's [ http://lkwdpl.org/wihohio/bour-mar.htm ] magazine photography are widely regarded as art. Similarly many documentary astronomy and space images [ http://photojournal.jpl.nasa.gov ] can be appreciated for their artistic and esthetic appeal [ http://heritage.stsci.edu/ ]. |
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An Apollo 12 Panorama
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An Apollo 12 Panorama |
| Explanation |
The Apollo 12 mission [ http://www.nasm.si.edu/collections/imagery/apollo/AS12/a12.htm ] was the second [ http://antwrp.gsfc.nasa.gov/apod/ap980503.html ] ever to land humans on the Moon. The mission was dedicated [ http://www.nasm.si.edu/collections/imagery/apollo/AS12/a12mo.htm ] to studying the Moon [ http://www.nineplanets.org/luna.html ], developing techniques, and developing instruments that could be used in future lunar landings [ http://www.nasm.si.edu/collections/imagery/apollo/apollo.htm ]. Astronauts Charles (Pete) Conrad and Alan Bean [ http://www.lpi.usra.edu/expmoon/Apollo12/A12_Overview_crew.html ] spent just under two days on the lunar surface in November 1969, while Richard Gordon [ http://www.jsc.nasa.gov/Bios/htmlbios/gordon-rf.html ] orbited above in the Command Module [ http://www.msichicago.org/exhibit/apollo/ ]. Pictured above [ http://astrogeology.usgs.gov/Projects/LunarAtlas/panoramas/ ] in this digitally stitched panorama, Alan Bean works near the Lunar Module [ http://www.nasm.edu/galleries/attm/nojs/a11.am.lm.1.html ]. Scrolling to the right will reveal a dark color panorama [ http://astrogeology.usgs.gov/Projects/LunarAtlas/panoramas/ ] where flat lunar terrain and a tall video camera are visible. Apollo 12 mission [ http://www.nasm.si.edu/collections/imagery/apollo/AS12/a12.htm ] astronauts visited the site [ http://antwrp.gsfc.nasa.gov/apod/ap020713.html ] of the nearby Surveyor 3 [ http://antwrp.gsfc.nasa.gov/apod/ap031005.html ] robot spacecraft that had landed on the moon three years earlier. |
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Apollo 12: Surveyor 3 and In
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Apollo 12: Surveyor 3 and Intrepid |
| Explanation |
On April 20, 1967, NASA's robot spacecraft Surveyor 3 landed [ http://nssdc.gsfc.nasa.gov/planetary/lunar/surveyor.html ] on the moon, touching down on the inside slope of a small lunar crater in the Ocean of Storms. Over 2 1/2 years later, on November 19, 1969, the lunar module Intrepid, piloted by Apollo 12 [ http://www.nasm.edu/APOLLO/AS12/ ] astronauts Pete Conrad and Alan Bean, flew overhead and landed nearby [ http://cass.jsc.nasa.gov/pub/expmoon/Apollo12/A12_lsite.html ] in the second visit by humans to the lunar surface [ http://www.hq.nasa.gov/office/pao/History/SP-4214/cover.html ]. Intrepid touched down about 600 feet away and the moon walking astronauts [ http://www.hq.nasa.gov/alsj/a12/a12j.html ] were easily able to reach the Surveyor [ http://cass.jsc.nasa.gov/pub/expmoon/surveyor/Surveyor3.html ] and examine the remote explorer that had preceded them. Intrepid is seen in the background of this striking high resolution [ http://www.hq.nasa.gov/alsj/a12/images12.html#HiRes ] picture of Surveyor 3. Surveyor's leftmost foot pad appears dug in while its foreground foot pad has made two distinct imprints in the powdery lunar soil [ http://antwrp.gsfc.nasa.gov/apod/ap980327.html ] - clear indications that the Surveyor slid and bounced on landing. Using bolt cutters, the astronauts [ http://antwrp.gsfc.nasa.gov/apod/ap961124.html ] removed Surveyor's TV camera (the cylinder shape at the right of the tall solar panel mast) and its sampling scoop (on the arm extended to the right), returning them to Earth for study. |
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Apollo 12: Self-Portrait
| Title |
Apollo 12: Self-Portrait |
| Explanation |
In November of 1969, Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap990408.html ] astronaut-photographer Charles "Pete" Conrad [ http://antwrp.gsfc.nasa.gov/apod/ap990715.html ] recorded this masterpiece while documenting colleague Alan Bean's [ http://www.alanbeangallery.com/ ] lunar soil collection activities on the Oceanus Procellarum [ http://volcano.und.nodak.edu/vwdocs/planet_volcano/ lunar/mare/mlm.html ]. The image is dramatic and stark [ http://antwrp.gsfc.nasa.gov/apod/ap031109.html ]. The harsh environment of the Moon's Ocean of Storms is echoed in Bean's helmet, a perfectly composed reflection [ http://mirrorproject.com/galleries/gantz/ ] of Conrad and the lunar horizon [ http://www.hq.nasa.gov/office/pao/History/alsj/ ]. Is it art? Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's [ http://www.geh.org/fm/lwhprints/htmlsrc2/ index.html ] images from New York City in the early 20th century, or Margaret Bourke-White's [ http://lkwdpl.org/wihohio/bour-mar.htm ] magazine photography are widely regarded as art. Similarly many documentary astronomy and space images [ http://photojournal.jpl.nasa.gov ] can be appreciated for their artistic and esthetic appeal [ http://heritage.stsci.edu/ ]. |
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