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Apollo 12 and Earth of Goddard Space Flight Center (GSFC)
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Apollo 12: Self-Portrait
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Apollo 12: Self-Portrait |
| Explanation |
Is it art? In November of 1969, Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap990408.html ] astronaut-photographer Charles "Pete" Conrad [ http://antwrp.gsfc.nasa.gov/apod/ap990715.html ] recorded this masterpiece [ http://images.jsc.nasa.gov/images/pao/AS12/10075421.htm ] while documenting colleague Alan Bean's lunar soil collection activities on the Oceanus Procellarum [ http://volcano.und.nodak.edu/vwdocs/planet_volcano/ lunar/mare/mlm.html ]. The image is dramatic and stark [ http://antwrp.gsfc.nasa.gov/apod/ap960420.html ]. Bean is faceless. The harsh environment of the Moon's Ocean of Storms is echoed in his helmet's perfectly composed reflection of Conrad and the lunar horizon [ http://www.hq.nasa.gov/office/pao/History/alsj/ ]. Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's [ http://www.geh.org/fm/lwhprints/htmlsrc2/ index.html ] images from New York City in the early 20th century, or Margaret Bourke-White's [ http://lkwdpl.org/wihohio/bour-mar.htm ] magazine photography are widely regarded as art. Similarly many documentary astronomy and space images [ http://www.nasa.gov/cool.html ] can be appreciated for their artistic and esthetic appeal. |
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Apollo Sunrise
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Apollo Sunrise |
| Explanation |
In November of 1969, homeward bound aboard the "Yankee Clipper" command module, the Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap951008.html ] astronauts took this dramatic photograph of the Sun emerging from behind the Earth. From this distant perspective, part of the solar disk peers over the Earth's limb [ http://antwrp.gsfc.nasa.gov/apod/ap951117.html ], its direct light producing the jewel like glint while sunlight scattered by the atmosphere creates the thin bright crescent. Today at 10:24 pm Eastern Daylight [ http://www.ast.cam.ac.uk/RGO/leaflets/summer/summer.html ] Time [ http://www.phys.washington.edu/Department/tour/sundial/ ] is the Summer Solstice [ http://www.lalc.k12.ca.us/laep/smart/Sunrise/k3les1.html ]. From an earthbound perspective [ http://dlt.gsfc.nasa.gov/Ask/lessons/regions/temperate/seasons.html ], the solar disk will climb to its greatest northern declination [ http://www.csbsju.edu/astro/CS/CS.11.html ] marking the Northern Hemisphere's first day of Summer [ http://antwrp.gsfc.nasa.gov/apod/ap951222.html ] and creating the longest day -- with over 15 hours of daylight [ http://nobody.vn.fi/vn/um/kesa3eng.html ] near latitude +40 degrees. |
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Apollo 12: Self-Portrait
| Title |
Apollo 12: Self-Portrait |
| Explanation |
Is it art? In November of 1969, Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap990408.html ] astronaut-photographer Charles "Pete" Conrad [ http://antwrp.gsfc.nasa.gov/apod/ap990715.html ] recorded this masterpiece [ http://images.jsc.nasa.gov/images/pao/AS12/10075421.htm ] while documenting colleague Alan Bean's [ http://www.alanbeangallery.com/ ] lunar soil collection activities on the Oceanus Procellarum [ http://volcano.und.nodak.edu/vwdocs/planet_volcano/ lunar/mare/mlm.html ]. The image is dramatic and stark [ http://antwrp.gsfc.nasa.gov/apod/ap960420.html ]. Bean is faceless. The harsh environment of the Moon's Ocean of Storms is echoed in his helmet's perfectly composed reflection of Conrad and the lunar horizon [ http://www.hq.nasa.gov/office/pao/History/alsj/ ]. Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's [ http://www.geh.org/fm/lwhprints/htmlsrc2/ index.html ] images from New York City in the early 20th century, or Margaret Bourke-White's [ http://lkwdpl.org/wihohio/bour-mar.htm ] magazine photography are widely regarded as art. Similarly many documentary astronomy and space images [ http://photojournal.jpl.nasa.gov ] can be appreciated for their artistic and esthetic appeal [ http://heritage.stsci.edu/ ]. |
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Apollo 12: Surveyor 3 and In
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Apollo 12: Surveyor 3 and Intrepid |
| Explanation |
On April 20, 1967, NASA's robot spacecraft Surveyor 3 landed [ http://nssdc.gsfc.nasa.gov/planetary/lunar/surveyor.html ] on the moon, touching down on the inside slope of a small lunar crater in the Ocean of Storms. Over 2 1/2 years later, on November 19, 1969, the lunar module Intrepid, piloted by Apollo 12 [ http://www.nasm.edu/APOLLO/AS12/ ] astronauts Pete Conrad and Alan Bean, flew overhead and landed nearby [ http://cass.jsc.nasa.gov/pub/expmoon/Apollo12/A12_lsite.html ] in the second visit by humans to the lunar surface [ http://www.hq.nasa.gov/office/pao/History/SP-4214/cover.html ]. Intrepid touched down about 600 feet away and the moon walking astronauts [ http://www.hq.nasa.gov/alsj/a12/a12j.html ] were easily able to reach the Surveyor [ http://cass.jsc.nasa.gov/pub/expmoon/surveyor/Surveyor3.html ] and examine the remote explorer that had preceded them. Intrepid is seen in the background of this striking high resolution [ http://www.hq.nasa.gov/alsj/a12/images12.html#HiRes ] picture of Surveyor 3. Surveyor's leftmost foot pad appears dug in while its foreground foot pad has made two distinct imprints in the powdery lunar soil [ http://antwrp.gsfc.nasa.gov/apod/ap980327.html ] - clear indications that the Surveyor slid and bounced on landing. Using bolt cutters, the astronauts [ http://antwrp.gsfc.nasa.gov/apod/ap961124.html ] removed Surveyor's TV camera (the cylinder shape at the right of the tall solar panel mast) and its sampling scoop (on the arm extended to the right), returning them to Earth for study. |
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Apollo 12: Self-Portrait
| Title |
Apollo 12: Self-Portrait |
| Explanation |
In November of 1969, Apollo 12 [ http://antwrp.gsfc.nasa.gov/apod/ap990408.html ] astronaut-photographer Charles "Pete" Conrad [ http://antwrp.gsfc.nasa.gov/apod/ap990715.html ] recorded this masterpiece while documenting colleague Alan Bean's [ http://www.alanbeangallery.com/ ] lunar soil collection activities on the Oceanus Procellarum [ http://volcano.und.nodak.edu/vwdocs/planet_volcano/ lunar/mare/mlm.html ]. The image is dramatic and stark [ http://antwrp.gsfc.nasa.gov/apod/ap031109.html ]. The harsh environment of the Moon's Ocean of Storms is echoed in Bean's helmet, a perfectly composed reflection [ http://mirrorproject.com/galleries/gantz/ ] of Conrad and the lunar horizon [ http://www.hq.nasa.gov/office/pao/History/alsj/ ]. Is it art? Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's [ http://www.geh.org/fm/lwhprints/htmlsrc2/ index.html ] images from New York City in the early 20th century, or Margaret Bourke-White's [ http://lkwdpl.org/wihohio/bour-mar.htm ] magazine photography are widely regarded as art. Similarly many documentary astronomy and space images [ http://photojournal.jpl.nasa.gov ] can be appreciated for their artistic and esthetic appeal [ http://heritage.stsci.edu/ ]. |
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